How To Start Making House Music – Learning how to make original music is a truly valuable skill for any electronic music producer. House music has constantly evolved over time and has expanded into many new genres and subgenres.
No matter what genre you listen to, house music is still one of the best genres you can listen to.
How To Start Making House Music
If you’ve dreamed of making a house track that will make thousands of people dance but you don’t know where to start, don’t worry.
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We got you! We’ve compiled a list of essential tips that will not only get you started with music production at home, but will also get you on your way to filling the dance floor.
Follow these simple steps and with a little practice, you will find that you will reach your goal in no time.
House music is a very broad concept and can be interpreted differently by many people. Because it has found a place in many different genres since the 1970s, the birth of house music.
Since most of these sub-colours share many common characteristics, we will cover general tips that apply to all of these sub-colours.
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Break down the subgenre you plan to create into its basic components and examine what makes it unique.
For example, both bass house and deep house have a BPM around 120-124 with a 4/4 beat structure.
The deep housing, on the other hand, has a much easier bend and focuses on road flow. It features long sections, sampled vocals, and groovy basslines.
The most effective way to learn how to create your own huge home footprint is to first get an idea of how great artists do it.
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Here are the project files of world artists. You can often speed up your learning by reviewing project files because you don’t have to spend hours trying to guess how good their music sounds in your DAW. . Instead you will be able to see how everything is done. Not to mention you’ll also find plenty of inspiration for your own piece.
The only problem is that often big artists do not give their project files for free.
So we went ahead and compiled a list of free home project files for you. This list also includes free home sample packages that you will definitely need. But more on that later.
Once you find a project file you like, you’ll be able to change your edits. Here’s how you can do it: First, drag the track into your DAW and separate it by adding marks at the beginning of each section.
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Rename markers to indicate which new elements are introduced and which are removed. Where do fillings come from? What tools are used?
The more elements and techniques you keep in mind, the easier it will be to determine your path.
Take Ableton for example: After placing a location in your project, right-click on the location and select “Edit Notes” to add additional notes.
An empty box will appear in the lower left corner of Ableton. All your notes will be stored in the clipboard for future use.
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Have you ever felt like you’ve created four to eight great bars, but then struggled to turn them into full tracks?
Imagine making a drop or square curve. It is important that this cycle contains most of the main elements of the piece, such as:
Once you have these elements, you will be able to understand the general mood of the track and plan how to structure the rest of the song.
As mentioned above, at this point a reference track needs to be drawn in your DAW showing how the different tracks are split up.
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If you haven’t chosen a track as a reference yet, you can use the original song stream of a few house songs instead:
Introduction – verse 1 – build 1 – throw 1 – search – verse 2 – build 2 – throw 2 – says.
This is where you start to identify the key elements of your pipe along the way, based on clues from your reference pipe.
Even if you only have a piano chord progression, be sure to transcribe it even if there are pads, synths, or other elements that follow that chord progression. You will change the tools and then add the versions.
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You can even copy all the items in a folder throughout the track and work with the download!
High-quality samples will give you a head start on the bandwagon and improve the overall quality of your piece. No matter how good you are at mixing, a really low quality sample will still be hard to beat!
In fact, as we mentioned before, we’ve published the latest list of home examples where you’ll find everything you need to get started.
Even top manufacturers have started releasing their own sample packs! This is a great way to get a professional sound, especially when you’re trying to favor a particular style of what a producer does.
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Once you have the right patterns to start with, don’t be afraid to experiment and experiment with other styles!
Sidechaining is a technique in which an effect is produced by an alternative audio path. In this case, a compressor is triggered by the beat, so each time the beat hits the compressor lowers the volume of the track to make room for the beat.
The further you lower the compression band, the more “bending” you get, resulting in a pumping effect.
You can achieve this effect with any stock compressor with a sidechain input, but there are many third-party plug-ins that specialize in this type of effect and save you time in the production process. Here is a list of the best tools for the job:
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Another useful method to implement in your track is to apply a pumping effect even when the beat is not being played. In this case you need to create a “ghost” sidechain resource.
Note that we’re using Ableton for this example, but you’ll get the same result in any DAW.
First, place a compressor with a sidechain input on the track where you want to achieve the “pumping” effect.
Then repeat the track where your drum beat is. Then rename it to something like “Ghost Sidechain” and disable it so you can’t hear it while the track is playing.
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Select the track “Ghost Sidechain” as your intro on the Compressor channel. You will then need to adjust the release of your attack to suit the length of your strike. You’ll want to set it very quickly so it breaks when it hits.
Try running the “kick” track as well to test your ghost chain. You’ll notice that even when the rhythm isn’t being played, the track is still affected by the compressor!
This is very useful in cracks or buildings where you can’t hit but still want more items pumped.
We’re still in the middle of the “height war,” so building your podium is essential if you want to stand out from the crowd.
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This means you need to be aware of certain dynamics when you choose snare or claps for a track.
If you choose a snare/loop with a dominant transient, it will interfere with the rhythm, which is the main element you want to focus on in your piece.
Also, if you match two keys exactly to the beat, they will be tighter on your limiter, limiting you from getting a loud mix without distortion.
Either choose a pattern without a strong initial pass or manually override your trap. This is because it doesn’t work as well as a hit. Here is an example:
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By doing this, you’ll find that your limiter isn’t working so hard and you’ll be able to drive it loud without distortion!
Often, house tracks can seem sparse without many elements in the mix, but they can still have a full and complex sound.
This is a great trick for achieving unique sounds and filling the frequency spectrum in ways that one instrument alone cannot.
You should be careful with this technique because putting the wrong sounds together can mess up your mix and make it sound worse than it already is.
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There are a few steps you need to take when putting sounds together. In this particular case we will talk about the main voice:
First, choose your main voice. This will be the dominant ground. It can be predefined or created from scratch. Just make sure it’s a sound you like.
Let’s say you don’t like that vocal attack and it doesn’t eliminate the confusion of the pass. In this case, you can make a loop sound to improve the tempo.
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