How To Start Making Your Own Beats – The GarageBand app allows anyone with an Apple device to easily create their own beats and music. (Joe Ryan/The Diamondbacks)
The tendency to go wild in search of new hobbies may be over, but that doesn’t mean you can’t still try new things. It may seem intimidating, but making music is a creative endeavor that can actually be rewarding and easy to learn.
How To Start Making Your Own Beats

You don’t need to know the rules of fifths, key changes, or polyphony to capture music. You also don’t need to invest a lot of money in purchasing equipment. All you need is one free app: GarageBand. This is an iOS app made specifically for Apple devices, but there are alternatives if you don’t have one.
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GarageBand lets you create or record music in a simple, multi-track format. The app is incredibly easy to use and fun to use, and this tutorial will have you creating dance floor-ready tracks in no time. Below is a quick way to get started with the app, but this is just the place to start: a whole new world of musical experimentation is at your fingertips. 1. Download the app and select “Battery”
First of all you have to download the app from the App Store. Open it and tap the small plus sign in the top right corner. This will open a new project, and the first thing you’ll see is a selection of tools to choose from. Swipe left to find Drums and tap Beat Sequencer.
The app uses the “Modern 808” drum kit by default, which isn’t exactly what we want for a dance beat. You must place a note on the board before you can change it. Click on the right side of the magenta drum, which is the first color icon on the left. You will hear a deep looping note, but press the power symbol at the bottom of the center screen to stop it for now. Then press the down arrow in the upper left corner, press “Modern 808”, scroll up and select “Hacienda”.
You will see your screen divided into four sections as most Western music is divided into four bars. Those beats are divided into smaller and smaller denominations, but there is no need to worry about that for now. You’ve already written a note, but follow it and place the note at the beginning of each remaining section on the drum line. You should see the beat selected every four notes, as shown below.
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Go to the second row, indicated by the yellow drum icon on the left. Place the beat at the beginning of the second and fourth sections. To add more flavor to the mesh, I mirror those bars in the third row indicated by the yellow hand icon.
Look at the fourth and fifth lines marked with blue icons on the left. In the fourth line, like in step three, insert a note at the beginning of each section. Then in the fifth line, we add that dance music magic. Place a note on the third beat of each section, or what is called a “minor”. Press the power button again and hear your new dance beat!
Place one note at the beginning of each section for the fourth line and one note on the third beat of each section for the fifth line.

You can play with the note selection to create different variations, and if you like what you’ve created, tap the red button at the top and record a few times. You can then add more lyrics, sounds and instruments to your song. If you want to stick with the dance theme I recommend some synths from the keyboard section.
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There’s a lot more you can achieve with this app, and I hope you’ll discover it on your own or with the help of YouTube tutorials.
“Diary of a Wimpy Kid: Cabin Fever” – A Cheeky But Catchy Holiday Movie By Tara Goldstein December 12, 2023 With free loops everywhere, it’s easy to find beats these days, but let’s say you want to be weird and make your own. What do you want to do? We explain how to go off-road with your beats and loops and take a creative path to rhythmic mayhem.
There is no one way to make beats – there are many different techniques depending on the music, the equipment and most importantly the people involved. It’s often hard to avoid beat-making clichés, and we often end up at one of two extremes: set beats that are deliberately machine-like, or weird beats that deviate from the norm with strange loops and non-standard sounds. Are outside.
It’s easy to get a room full of people dancing to simple flat tunes, but it’s more rewarding to do something unusual and make them dance too. The word ‘beats’ covers a lot. The music world is very fragmented now, which is actually great: you can take almost any sound and any genre and make it work.
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We’re not going to give you specific programming tips like “put a trap at step X”, because we’ll try to deviate from that; If we’re trying to create “off” beats in different ways, we can’t all follow the same template to do it. The idea of this feature is to inspire you to try some new ways of creating, finding, or editing beats.
Software like Ableton Live makes it easy to create rhythmic loops from any type of audio. First, in Live, the actual looping part is simple: Drop a sample into Live’s Session view and it’s instantly ready to loop. From there you can experiment with different warp modes (they call it time stretching) until you find something amazing that catches your eye. Manually line up sample transients on a grid at any note split you want, or type Cmd-U and quantize using set or combination techniques.
It is very useful to rearrange sounds in this way – you will love it! Whether you’re quantizing audio samples or MIDI clips, there are a few things to remember in your quest to unleash your rhythmic creativity. First of all, you don’t need to dose everything, just apply it on the part you want to fix.

Second, quantization is very literal, so it will always be “true” to the note values you’ve told it to stick to, but that doesn’t mean you have to live with the results. Don’t be afraid of something more organic or downright weird – rules are meant to be broken.
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Probably the next thing to do is to adjust the gain of the clip and then set the start marker so that playback starts at the ideal point in the loop; It doesn’t matter when you play the loop by itself, but it will change things when you play it against other pieces. While doing this you can also think about rhythm.
Obviously, you can change the tempo of the project and listen to your loop at different BPMs; If you add it to an existing song, you’ll be stuck with the project tempo anyway. But you can try doubling or halving the speed, so that the project speed remains the same, but the speed will run half or twice as fast. You may end up with a project that technically plays at 170 bpm, but the beat is half speed, so it sounds like 85 bpm.
A groove pattern is used to extract tempo and velocity information from a source (usually an audio recording) and apply it to another part (another audio recording or a programmed MIDI part). Ableton Live’s Grooves also have a random setting, which prevents variations from repeating themselves while looping, which somehow defeats the organic intention.
For those experimental moments, keep in mind that the grooves should not come from the drums. More complex timing effects can be created by combining loops of different lengths; In software, you would do this by playing two drums or percussion simultaneously, but with different loop lengths; By this I mean, for example, 4/4 time versus 5/4 percussion. Don’t just use multiples of four, like 4/4 times versus 2 times 4/4, as you won’t get the same effect.
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It also works with some drum machines and hardware sequencers. With Arturia’s BeatStep Pro sequencer, it’s possible to set individual sequence lengths for each of the sequencer’s 16 tracks, and Electron’s Octatrack sampler/sequencer lets you set timestamps and individual track lengths to help you get the most out of the box. Allows. Alternatively, sync two drum machines and set different pattern lengths for each, and it can sound great.
Ableton Live 10 includes a new effect called Drum Bus, which bundles several drum tools into one useful plug-in, including drive, compression, transient shape, and sub controls (called booms).
All of these controls can help us push speeds that would otherwise be usable and acceptable.